Degas’ Five Months in New Orleans

The French painter’s five-month sojourn with his mother’s family.

“A Cotton Office in New Orleans” by Edgar Degas, 1873 Family members are shown in the painting. (In foreground Degas’ uncle, Michael Musson is seen examining raw cotton for its quality and his brother, Rene reads The Daily Picayune and while other brother Achille rests against a window wall at left.) 

Artist Edgar Degas was born in France but his mother was from New Orleans.  On the occasion of Edgar’s birth, his father purchased a Creole cottage on Rampart Street in New Orleans and placed it in his son’s name, to link his oldest son to his mother’s home.  The artist visited New Orleans in 1872 and, although he stayed only five months, he created 22 works of art during that time, including the painting above, of his uncle’s cotton brokerage firm. (Degas’ uncle, Michael Musson, and two of his brothers, Rene and Achille Degas, are shown in the painting.)  Some say his full talent in the Impressionist genre didn’t emerge until his visit to New Orleans.

Edgar Degas self-portrait.

Celeste Musson Degas, Edgar’s mother, died when he was young, but Edgar’s maternal grandfather visited the family in Paris and Edgar maintained ties to his mother’s city through correspondence with his relatives there. In New Orleans (in 1872) Degas stayed five months and created 22 works of art during that time.

Portrait of Estelle Musson Degas, by Degas 1872, Estelle was his cousin and his brother’s wife. (N.O. Museum of Art)

Degas’ time in New Orleans has given him special regard among the city’s residents. A 1999 exhibit at the New Orleans Museum of Art, “Degas and New Orleans: A French Impressionist in New Orleans,” drew 192,000 visitors – no small feat because it was on view during summertime, a traditionally slow season in New Orleans. Degas’ time in New Orleans also inspired a play,Degas” by Rosary O’Neill; Degas Day festivals; and a new cocktail, Estelle’s Revenge, was served at the Degas House during the museum exhibition. Perhaps the greatest expression of civic love for the artist came in 1965 when local citizens contributed $190,000 (the equivalent of $1.47 million in 2017) to buy the Degas painting “Portrait of Estelle Musson DeGas” for the New Orleans Museum of Art

Degas’ maternal Creole family home (Musson).

The Musson home (shown above) is where Degas lived during his time in the city. It is the only residence or studio in the world associated with the artist, that’s open to the public. Today it is both a bed and breakfast and the home of the Edgar Degas Foundation, dedicated to preserving the artist’s legacy.  The house was constructed in 1852 and period furnishings are displayed and reproductions of Degas’ paintings hang on the walls.  Guided tours are conducted by appointment.  The house is on the National Register of Historic Places.

 

Some of the Degas’ Paintings he did while living in New Orleans.

“Courtyard In New Orleans” Degas 1873

 

A dramatic reading.

 

Degas quick sketch self-portrait in oil

 

Estelle Musson Degas 1973

 

Estelle Musson Degas 1873

Photo of Edgar Degas

 

The video above features some writings of Eggar Degas after he arrived in New Orleans. (Editor’s note: keep in mind these words are from c. 1873.)

Degas House Interiors

Degas House Living Room

 

Degas House Dining Room

 

Degas House Living Room

 

Degas House B & B bedroom suite w/ breakfast

 

This was the home of Degas’ g-grandfather, Vincent Rillieux.  It’s on  Chartres Street and was built in the late 1700s, just after the great fire of 1794.  It served as home to three different New Orleans banks.  Since 1881, it’s been occupied by Waldhorn & Adler Antiques.

 

Block of buildings on Carondelet Street known as Factors Row, where Degas’ uncle’s cotton brokerage – the scene of “The Cotton Office” – was located.  Cotton brokers were known as cotton factors.  These factors acted, in essence, as agents for cotton planters, but they provided many other services, including extending credit and providing investment advice.  Many had warehouses which they leased to planters as storage for the cotton.  In the days when the international cotton trade was at its zenith, there were over 450 cotton factors in New Orleans.
Degas’ Musson family Tomb in New Orleans’ St.Louis No1 cemetery.
A recent painting shows Edgar Degas in the process of painting “A Cotton Office In New Orleans.” (This painting is by New Orleans artist George Schmidt.)

(Source: The Degas House website and “Degas in New Orleans” online. Artworks (if under copyright) are © by the respective owners, foundations or assignees. Images used here were for educational and editorial use only.)

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